Carolyn Jackson Presents: Today’s Redeeming Piece of Film Journalism



When it is not being used for its more sordid and immature  purposes, the internet can be quite an illuminating place. You’d be very surprised, if you would only look, at the wonderful nuggets of information….the veritable oasis’s of wisdom there are to be found online.

As you may already know, one of our many jobs here at Film-Cycle, along with the vigorous task of challenging and discrediting  the current system of moronic film journalism, is also the reeducation of those who have come to rely on said current system as a reliable source of film knowledge. This is why, along with the many criticisms we do, we also provide links to many underrated and undervalued sources of online film critiques, journalistic pieces, and news hubs. We search in many dark corridors and under many rocks and are more often than not very surprised and delighted at the wonderful things we find. It goes to show that if you would only take the initiative to look, you could expose yourself to content of a higher caliber than if you just regularly skimmed the surface.

Our piece of redeeming film journalism for today comes to us courtesy of The Texas Archive of the Moving Image, a southern based film conservatory operating from the heart of the lone star state. The primary focus of the conservatory is to celebrate “the state’s home movies, industrial films, television output, and regional cine-club product as well as Hollywood and internationally produced images of Texas. Valuable to state history, these films also serve an important collaborative role in the preservation and restoration of the larger motion picture heritage for the United States.” So in a way, the T.A.M.I. functions like any other universal film conservatory would, except on a smaller Texas-centered scale. While it is still a fairly young organization, they have already unearthed a reservoir of very valuable and very vintage celebrity interviews from Texas’ past, conduced by local Austin TV personality Carolyn Jackson (from 1976-1980). Most likely these interviews were conducted during various southern publicity tours held in promotion of a forthcoming release. Some of her subjects include: Brian De Palma  and Amy Irving (for “The Fury”), Micheal Douglas (for “The China Syndrome”), John Frankenhimer (for “French Connection 2”), Martin Ritt and Sally Field (for “Norma Rae”), Peter Bogdanovich (for “At Long Last Love”), and many others. There are many wonderful interviews with some of the more prominent and up and coming actors, producers and directors of the 70’s and 80’s. You’ll find the interview material to be very in-depth, consisting of great questions and intelligent thoughtful answers. None of the EPK style stuff (what are you wearing and who are you dating) that you get so much of today.  The John Frankenheimer and Sigourney Weaver interviews are particularly good. She also manages to get a hold of many of the people (Carrie Fisher, Gary Kurtz) involved in “Star Wars: A New Hope” right around the time when the film was carving out its legacy.

Here is the Link;

Now go and learn something.



About celluloidhumanoid

Celluloid Prophet

Posted on June 21, 2012, in Uncategorized. Bookmark the permalink. Leave a comment.

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