Before I dive into the mess lets do a quick recap of what has been happening in film culture since I vanished.
1. J.J. Abrams, otherwise know as a subpar director, has been given the helm of the Star Wars franchise (at least for one film anyway).
I’ve seen the trailer and I’ll admit it has some nice visuals, but then again its a trailer. At his worse J.J. Abrams can produce good looking stuff. It’s the other stuff, the constructing a good narrative stuff, and drawing good performances out of your actors stuff, that I’m concerned about. I’m not trying to be a hater. I understand the love for the Star Wars and the mythology. I just can’t get excited about a new Star Wars film knowing that the person making is not a good director. Ask yourself, wouldn’t you be kind of upset if you heard that Uwe Boll is directing the next Indiana Jones movie. You would still love the subject matter and enjoy the mythology, but you would know that the story would not have received the best presentation it could have gotten had it been handled by a more capable craftsman.
2. Ant-Man has found its yes man.
Rather than dive into the whole sordid history of what happened, I’ll just post a resent excerpt of an argument I had in a comment section concerning Peyton Reed replacing Edgar Wright as the director of Ant-Man and how some people were defending Marvel in this decision:
“They chose to dispose of a creative original voice because he didn’t want to contribute to making another part of their massive product masquerading as a film franchise. Also, Peyton Reed……really? He’s only made one good film and a bunch of terrible ones. Where is all this goodwill for Peyton Reed coming from. If you are a fan of good cinema and art than I don’t see how you can in any way be happy with Marvel having Peyton “Yes Man” Reed directing Ant Man.”
“Look at these responses. I can picture the movie brats of the 1970’s somewhere in a corner crying. Coppola, Scorsese, Spielberg, Bogdanovich, Milius, Altman. They fought the system to make original groundbreaking genre defying films. We championed them and now we are spitting in their faces. People are no longer defending the artists. They are defending the product makers. No one talks about ideas in relation to a film or how movies make us feel. Its all box office numbers and grosses, as if money has any bearing on emotional and creative impact. If you dare speak of a films quality or execution you are attacked and dismissed. You are called a troll, or old fashioned. Its dangerous having high standards these days.”
3. Hollywood Is Still Racist As All Get Out
Really, I’m surprised at how shocked people still get by racist responses to casting choices in Hollywood. Did people really think we’ve come that far? Are people still that naive?
Some food for thought on racist Hollywood.